Fun at the Half-Time Rec Old-Time Square dance tonite (held first Mondays, 7:30 - 10:30 pm). Besides the terrific Mastodons who've played the dances for years, and it's super full, there was a guest young whippersnapper caller from Portland, one of the biggest old-time scenes in the country, which draws hundreds of punks, travellers, people of all ages and walks of life (it ain't the square dances you might be thinking of, with the costumes and the twang and polkas). Paul Silveria, here for 4 days, brought with him his compilation of Portland old-time stringbands "An Old-Time Portland Potluck" featuring the several bands of that area, done up old '20's Skillet Lickers 78's and radio show style. It's a "window-opener" as one fiddlin' friend would say, really fun, wild, and funny. Foghorn, Whiskey Puppy, Gov't Issue, Earl White -- very great.
If anyone's interested, let me know. They're $10. The low down on the Dickel Bros. is that at least 3 of the 5 are together, and while Clancy isn't fiddling there (cuz he's here), they may well come down this summer, because they love Minnesota.
Paul brought with him the Tilt-a-Whirl dance, the rage in Portland and fairly dangerous. You know a dance is dangerous when the caller teaching it, warns repeatedly, "and GENTLY disengage from your partner." When you see it in action, people are spinning so fast in circles, that their feet barely touch the floor. . . if anyone let go, they'd fly into a wall, with a great centrifugal force. Fun! Sounded like an amusement park!
Looks like friends, St. Dominic's Trio will be playing gigs at the Half-Time a few weekends this summer, so keep an eye out for that.
So, I hop in my car, and I don't believe my ears. The Current was playing an old-time string band tune, from the 30's or so! Almost noone ever in radio land in these parts (cept maybe KFAI and me on my Wave Project show) play old-time. Lots of bluegrass, but no old-time because that's still pretty obscure. What timing. And then the next song was a rare Pink Floyd. Totally something I'd do, and it worked. You could hear similar qualities and melodies at times, and it's mostly about the spirit.
Continuing with shameless self-promotion . . . I'm publishing a couple articles on old-time music, I'll let you know when they come out. Old-time is difficult to define, you mostly know it when you hear it. But it sure is fun.
Speaking of which, if you've read this far, not having been bored by my rant, there's going to be a great show at the Cedar on Friday -- Dirk Powell and Riley Baugus, the guys who did the Cold Mountain soundtrack and are some of the best old-time players in the country.
Monday, May 02, 2005
the Dickel Bros. are together again
Whoo hoo! I hear the Dickel Brothers are back at it again. Great old-time music with a punk drive. Unbelievable fiddle (maybe Clancy, great fiddler who lives up North is back? Or the newer fiddle. Both are excellent. And Brian Bagdonas on bass (from Foghorn String Band, and Stumptown Printers.) The website should be running soon.
I'd love to get 'em in town. They live in Portland and liked coming here when they were together about 5 years ago. They'll play for next to nothing, basement parties, backyards, co-ops, what have you.
You've gotta hear 'em. Let me know if you want more information.
Here are some links to learn more.
http://www.emptyrecords.com/empty/bands/band_detail.asp?intbandid=5
http://www.wweek.com/html/musica070799.html
An excerpt from a profile:
"I feel like I have nothing to do with what is going on today," explains fiddling wonder Clancy Dickel. "And everything that is, was--everything that has happened, did happen with string-band music."
With EmPty Records' recent release of Volume One, the Dickel Brothers' first full-length recording, the world is poised to take a swig off the bottle the Dickels have passed around Portland since 1996, when Matt Dickel and his spiritual brother Joel began busking the streets with raw, breathless folk. Joel left Matt to carry the familial old-time torch alone for a full year. Then, Clancy surfaced. Before long, the heat rising from the duo's throwdowns at the Delta Cafe and E.J.'s drew in a few other brothers.
Today, mandolinist Michael, Marcus on banjo, and stand-up bassist Brian round out the brood, forming a five-piece combo that brawls across any space it claims as a stage. A recent show down in the Shanghai Tunnel saw Clancy swinging by his knees from exposed plumbing, sawing fiddle and singing at the same time. The Dickels stress that their barely contained aggression springs directly from the bloody grooves of 78s cut by dirt-poor musicians before the war--World War II, that is.
"It's really the purest form of folk," says Brian Dickel. "It was a necessity. People worked hard, and they needed an outlet. That's what attracted me to old-time. In the '60s and '70s, a lot of hippies picked up on the old-time vibe. I think now we're looking at it from this other angle and revitalizing the fact that it is a people's music."
I'd love to get 'em in town. They live in Portland and liked coming here when they were together about 5 years ago. They'll play for next to nothing, basement parties, backyards, co-ops, what have you.
You've gotta hear 'em. Let me know if you want more information.
Here are some links to learn more.
http://www.emptyrecords.com/empty/bands/band_detail.asp?intbandid=5
http://www.wweek.com/html/musica070799.html
An excerpt from a profile:
"I feel like I have nothing to do with what is going on today," explains fiddling wonder Clancy Dickel. "And everything that is, was--everything that has happened, did happen with string-band music."
With EmPty Records' recent release of Volume One, the Dickel Brothers' first full-length recording, the world is poised to take a swig off the bottle the Dickels have passed around Portland since 1996, when Matt Dickel and his spiritual brother Joel began busking the streets with raw, breathless folk. Joel left Matt to carry the familial old-time torch alone for a full year. Then, Clancy surfaced. Before long, the heat rising from the duo's throwdowns at the Delta Cafe and E.J.'s drew in a few other brothers.
Today, mandolinist Michael, Marcus on banjo, and stand-up bassist Brian round out the brood, forming a five-piece combo that brawls across any space it claims as a stage. A recent show down in the Shanghai Tunnel saw Clancy swinging by his knees from exposed plumbing, sawing fiddle and singing at the same time. The Dickels stress that their barely contained aggression springs directly from the bloody grooves of 78s cut by dirt-poor musicians before the war--World War II, that is.
"It's really the purest form of folk," says Brian Dickel. "It was a necessity. People worked hard, and they needed an outlet. That's what attracted me to old-time. In the '60s and '70s, a lot of hippies picked up on the old-time vibe. I think now we're looking at it from this other angle and revitalizing the fact that it is a people's music."
Sunday, May 01, 2005
Happy May Day -- Come out and play!
Tonight's Turf Club Old Stage features "The Walsh Bros," Terry (of Belfast Cowboys, 2 a.m., and St. Dominic's Trio), Jim, writer for the City Pages, and Jay, Little Man, all members playing acoustically together, a first, and Captain Yonder.
At another favorite place, Varsity Theater , will be the Ike Reilly Assassination, with the Hang Ups. I'll likely try to go there right after the acoustic show. Owner/booker Jason McLean did a ton of hard work to get the place to meet the city's many demands, so come out and support his efforts. It's a really beautiful environment, like no other in town, and the sound is fantastic. Valet and James Apollo were great there last night.
Jason has some cool ideas for film there, and the place is perfect for giant projections.
At another favorite place, Varsity Theater , will be the Ike Reilly Assassination, with the Hang Ups. I'll likely try to go there right after the acoustic show. Owner/booker Jason McLean did a ton of hard work to get the place to meet the city's many demands, so come out and support his efforts. It's a really beautiful environment, like no other in town, and the sound is fantastic. Valet and James Apollo were great there last night.
Jason has some cool ideas for film there, and the place is perfect for giant projections.
Saturday, April 30, 2005
Clear Channel profits dropped 25%! Breaking up!
Clear Channel is splitting up their business, dropping their concert unit and 10% stake in billboards according to a Mercury News article. Their radio advertising slump caused a 25% drop in stock in the past year, 59% in the first quarter.
I'd like to think increased public awareness is playing a role in the decrease in profits for this monolith that is a huge supporter of Bush and the Republican party.
I'd like to think increased public awareness is playing a role in the decrease in profits for this monolith that is a huge supporter of Bush and the Republican party.
Sunday, April 24, 2005
POTTER-BELMAR LABS IMPROVISED CINEMA ON THE ROAD!
Potter-Belmar Labs, the revolutionary video & audio projection duo from Ann Arbor, will radically co-mix video and audio before live audiences in five MidWest cities beginning next week!
April 25 ... City Club Cinema, Minneapolis
@ 8:30 @ Grumpy's, 1111 S. Washington Ave
"Enjoy a full complement of food and beverage while witnessing the sheer spectacle of light, sound, and picture. Come one, come all to the most unusually satisfying movie event of the modern era."
# (612)340-9738
April 26 Version>05, Chicago
@ 10 @ Buddy, 1542 N. Milwaukee Ave 2nd floor
"From April 22 to May 1, over 350 artists, performers, media makers, cultural workers and community activists will be participating in over over 200 projects, performances, presentations, talks and interventions, during Version>05 Invincible Desire."
www.versionfest.org/version05
Potter-Belmar Labs conjures spectacle before your eyes and ears, weaving and projecting video from a giant library of sampled culture and original moving image art, composing and conducting the soundtrack on-the-fly. Abstract narratives, music videos, experimental film and improvisation come together in celebration of the grand medium of Cinema.
vjFutureWorkerGirl (Leslie Raymond), the video half of PBL, will be throwing digitally manipulated moving images sourced from analog video, 16mm film, optical printers, digital video and non-linear editing.
spokeNine (Jason Jay Stevens) completes PBL as the audioMixer. He scores Potter-Belmar work via laptop, and cuts and edits, half conductor/ half DJ/ half knob tweaker.
Last seen on the main stage of the Michigan Theater for the 43rd Ann Arbor Film Festival, Potter-Belmar Labs is poised to blow away your expectations on new media. Leslie and Jason have been collaborating since 1999, with work in interactive sculpture, installation, single-channel video, and performance. Their video shorts have screened in theaters and alternative spaces all over the world.
This event is not to be missed!
April 25 ... City Club Cinema, Minneapolis
@ 8:30 @ Grumpy's, 1111 S. Washington Ave
"Enjoy a full complement of food and beverage while witnessing the sheer spectacle of light, sound, and picture. Come one, come all to the most unusually satisfying movie event of the modern era."
# (612)340-9738
April 26 Version>05, Chicago
@ 10 @ Buddy, 1542 N. Milwaukee Ave 2nd floor
"From April 22 to May 1, over 350 artists, performers, media makers, cultural workers and community activists will be participating in over over 200 projects, performances, presentations, talks and interventions, during Version>05 Invincible Desire."
www.versionfest.org/version05
Potter-Belmar Labs conjures spectacle before your eyes and ears, weaving and projecting video from a giant library of sampled culture and original moving image art, composing and conducting the soundtrack on-the-fly. Abstract narratives, music videos, experimental film and improvisation come together in celebration of the grand medium of Cinema.
vjFutureWorkerGirl (Leslie Raymond), the video half of PBL, will be throwing digitally manipulated moving images sourced from analog video, 16mm film, optical printers, digital video and non-linear editing.
spokeNine (Jason Jay Stevens) completes PBL as the audioMixer. He scores Potter-Belmar work via laptop, and cuts and edits, half conductor/ half DJ/ half knob tweaker.
Last seen on the main stage of the Michigan Theater for the 43rd Ann Arbor Film Festival, Potter-Belmar Labs is poised to blow away your expectations on new media. Leslie and Jason have been collaborating since 1999, with work in interactive sculpture, installation, single-channel video, and performance. Their video shorts have screened in theaters and alternative spaces all over the world.
This event is not to be missed!
Friday, April 22, 2005
Film Fest fun is over. . . till next year
The time of year, when I put off everything to see films galore, is, alas, over. But for some great memories, enhanced by Film Fest event photos of the really fun afterfilm parties such as at the Suburban World where Valet, Thunder in the Valley, Ben Weaver and Donna Simpson and many other great local musicians had great shows, and there were great guest DJ's (see photo of Dave Campbell) such as Ross Raihala, and whoever DJ'ed during the dubbed Solaris, rocked.
I broke my record and saw at least 20 films most of which I liked or loved this year. The best one was easily Machuca (which made best of the fest), about adolescents in Chile during the Salvador Allende coupe and assassination. Kids from the classist middle class and the poor class native Chileans become friends but their families and politics challenge their burgeoning friendships and love -- to depict this story via children was the best vehicle, and shatteringly heartbreaking to the core. Things haven't changed in many parts of the world. Including where I grew up.
Another favorite which also made best of the fest, was Monsterthursday from Norway. This was a poignant film with great character development about a guy whose best friend stole his girl, got her pregnant and married her, only to ditch her for most of the following months to surf. The old boyfriend looks after her, still in love, tries to impress and win her back by learning surfing, only for the husband to return just when he'd nearly got the girl back. . . the bereft jilted guy charges into death, going out to surf in a "monster wave" during a lightning storm, not knowing the girl loved him, and his best friend would have stepped aside. A quiet, sad film that involved beautiful moments of endeavor, aspiration, humor . . . somehow this wasn't the soap opera it sounds, just very beautiful seacoast film about regular people and the quandries and ironies of life.
Dog Nail Clipper was truly one of the best and deserved it's ranking as one of the best of the fest, about a war victim shot in the head and suffering amnesia and trying to find work, but not very capable. I can't describe the beauty and sorrow of this film about someone who simply wanted a dog to care for and get along in the world but mostly turned against (even by the dog) for his injury related ineptitude.
Popular Music from Vittula was a great film about youth growing up in a isolated country that, "isn't Sweden and isn't Finland, either," discovering rock and roll music and wanting to and becoming musicians in spite of the strict religious upbringing of their parents. Very magical, strange, at times featuring magic realism, and great cinematography.
Czech Dream, another "Best of Fest" deservedly, as another look at the consequences of joining the EU -- a prank pulled by film students creating a tremendous ad campaign for a nonexistent "Hypermarket," to see how gullible consumers can be to advertising of a dream that is not reality. This seemed to cause a significant awareness to the promises of the EU perhaps being "hype." Very hysterical, it was "hyperfamiliar," to our own society which they fear becoming.
Many of the films which I loved may or may not become available. I'd keep an eye out at favorite video stores such as Box Office Video and Cinema Revolution.
Childstar (Canada), Genesis (French film about the beginnings of, well, everything. Lots of cool philosophy and time-lapse photography and humor, especially during the evolution parts), Kings and Queen (France, and I thought the projection was fine including the two breaks we were warned about due to the format of the film), Honeybaby (about a washed up rock star, kind of a Euripedes/Antigone tale that was cheesy as hades, I almost walked out 3 times, but like a bad soap it kept me drawn in and was pretty charming at times), the Irish films "Omagh," (another great film about IRA bombings such as Bloody Sunday, horrible to see, but important to know), the charming, "Boys and Girl from County Clare," Viva Ladjerie (Algerian), Visions of Europe (25 shorts about problems of emigrants to various countries of the EU, including the last film made by Theo Van Gogh), the Fifth Reaction (Iranian, uh, chick flick, car chase adventure film about rebellious woman trying to keep her children from being taken by her father-in-law after her husband's death, with the help of her women friends. I couldn't help but see elements of Bollywood and Sex in the City (conversations in the restaurant and by phone especially) and it was fun and funny. Quite a trip.
Favorite moments, aside from films included: hanging out at the new Riverview Wine Bar, seeing one of my very favorite directors of all time, Wim Wenders enjoying outdoor patio of the Riv and later seeing his new film made in 12 days, "Land of Plenty," a commentary of post-9-11 America (of course I approached him afterward, after significant trepidation, to interview him for hopefully an article . . . he replied he was being interviewed already by his friend Jim Walsh (a long-term favorite writer) so in that case I was like "okay." Disappointed, but pleased to meet him. He's a film god in my book. "Well, I just want to say to you that I have loved your films for the past 15 years." I felt silly and gratified at the same time to shake his hand. His films while slow are deep and have wry humor --"Until the End of the World" is a favorite, "Wings of Desire," and sequel, "Far Away, So Close," another favorite with Dennis Hopper and Bruno Ganz, "An American Friend," and more. . . that experience (as well as future ones I was yet unaware of) simply made the film fest for me. That was considered by my self to be an apex of my life.
But there was more. The afterparty of phenomenal film, "A Toute de Suite" with the present French director Benoit Jacquot, during which I was excited to hear there will be another Sur Seine likely this Fall (French and Twin Cities Jazz exchange festival that was a blast last year). A bunch of us were hanging out late at the Riverview Wine Bar, and this guy I never met, asked the group to guess his middle name. I said, "Adam," -- uh, wrong middle name, but this was Adam Secular, assistant director of MN Film Arts. Wow, that was weird but cool.
Hearing great music at the Suburban World Theater with classic cheesy films on the big screen, drinking free or cheap booze was elating. Finally the perfect and often neglected intersect of film and music lovers was honored, and in great form.
Seeing films first, and being able to brag about and promote them to our friends is fun. I recommend so highly:
Kung Fu Hustle (kick ass fun, Kill Bill doesn't hold a candle to the high hilarity and great cinematic and musical references. . . Just GO!)
Clean (a French film featuring phenomenal Hong Kong film actress Maggie Cheung, who kicks heroin habit after Australian husband performed by former Birthday Party band member o'd's and tries to recover kid and rock music career)
Fearless Freaks docu on Flaming Lips (fantastic!). Also great scene of Steve shooting heroin and filming of a "psychotic santa" for their feature film, "Christmas on Mars." and numerous other great stuff, I loved this film and its coming back in May.
A Girl From Monday, a new film from director, Hal Hartley, who I hear you either "love or hate." I'd be in the former category. This one is about consumerism ruling the world, and the commodification of everything including sex (which ups your consumer rating). But a newcomer from another planet is innocent to this system. It was really funny and apt, particularly in our Clear Channel and mass-consumer motivated society.
I broke my record and saw at least 20 films most of which I liked or loved this year. The best one was easily Machuca (which made best of the fest), about adolescents in Chile during the Salvador Allende coupe and assassination. Kids from the classist middle class and the poor class native Chileans become friends but their families and politics challenge their burgeoning friendships and love -- to depict this story via children was the best vehicle, and shatteringly heartbreaking to the core. Things haven't changed in many parts of the world. Including where I grew up.
Another favorite which also made best of the fest, was Monsterthursday from Norway. This was a poignant film with great character development about a guy whose best friend stole his girl, got her pregnant and married her, only to ditch her for most of the following months to surf. The old boyfriend looks after her, still in love, tries to impress and win her back by learning surfing, only for the husband to return just when he'd nearly got the girl back. . . the bereft jilted guy charges into death, going out to surf in a "monster wave" during a lightning storm, not knowing the girl loved him, and his best friend would have stepped aside. A quiet, sad film that involved beautiful moments of endeavor, aspiration, humor . . . somehow this wasn't the soap opera it sounds, just very beautiful seacoast film about regular people and the quandries and ironies of life.
Dog Nail Clipper was truly one of the best and deserved it's ranking as one of the best of the fest, about a war victim shot in the head and suffering amnesia and trying to find work, but not very capable. I can't describe the beauty and sorrow of this film about someone who simply wanted a dog to care for and get along in the world but mostly turned against (even by the dog) for his injury related ineptitude.
Popular Music from Vittula was a great film about youth growing up in a isolated country that, "isn't Sweden and isn't Finland, either," discovering rock and roll music and wanting to and becoming musicians in spite of the strict religious upbringing of their parents. Very magical, strange, at times featuring magic realism, and great cinematography.
Czech Dream, another "Best of Fest" deservedly, as another look at the consequences of joining the EU -- a prank pulled by film students creating a tremendous ad campaign for a nonexistent "Hypermarket," to see how gullible consumers can be to advertising of a dream that is not reality. This seemed to cause a significant awareness to the promises of the EU perhaps being "hype." Very hysterical, it was "hyperfamiliar," to our own society which they fear becoming.
Many of the films which I loved may or may not become available. I'd keep an eye out at favorite video stores such as Box Office Video and Cinema Revolution.
Childstar (Canada), Genesis (French film about the beginnings of, well, everything. Lots of cool philosophy and time-lapse photography and humor, especially during the evolution parts), Kings and Queen (France, and I thought the projection was fine including the two breaks we were warned about due to the format of the film), Honeybaby (about a washed up rock star, kind of a Euripedes/Antigone tale that was cheesy as hades, I almost walked out 3 times, but like a bad soap it kept me drawn in and was pretty charming at times), the Irish films "Omagh," (another great film about IRA bombings such as Bloody Sunday, horrible to see, but important to know), the charming, "Boys and Girl from County Clare," Viva Ladjerie (Algerian), Visions of Europe (25 shorts about problems of emigrants to various countries of the EU, including the last film made by Theo Van Gogh), the Fifth Reaction (Iranian, uh, chick flick, car chase adventure film about rebellious woman trying to keep her children from being taken by her father-in-law after her husband's death, with the help of her women friends. I couldn't help but see elements of Bollywood and Sex in the City (conversations in the restaurant and by phone especially) and it was fun and funny. Quite a trip.
Favorite moments, aside from films included: hanging out at the new Riverview Wine Bar, seeing one of my very favorite directors of all time, Wim Wenders enjoying outdoor patio of the Riv and later seeing his new film made in 12 days, "Land of Plenty," a commentary of post-9-11 America (of course I approached him afterward, after significant trepidation, to interview him for hopefully an article . . . he replied he was being interviewed already by his friend Jim Walsh (a long-term favorite writer) so in that case I was like "okay." Disappointed, but pleased to meet him. He's a film god in my book. "Well, I just want to say to you that I have loved your films for the past 15 years." I felt silly and gratified at the same time to shake his hand. His films while slow are deep and have wry humor --"Until the End of the World" is a favorite, "Wings of Desire," and sequel, "Far Away, So Close," another favorite with Dennis Hopper and Bruno Ganz, "An American Friend," and more. . . that experience (as well as future ones I was yet unaware of) simply made the film fest for me. That was considered by my self to be an apex of my life.
But there was more. The afterparty of phenomenal film, "A Toute de Suite" with the present French director Benoit Jacquot, during which I was excited to hear there will be another Sur Seine likely this Fall (French and Twin Cities Jazz exchange festival that was a blast last year). A bunch of us were hanging out late at the Riverview Wine Bar, and this guy I never met, asked the group to guess his middle name. I said, "Adam," -- uh, wrong middle name, but this was Adam Secular, assistant director of MN Film Arts. Wow, that was weird but cool.
Hearing great music at the Suburban World Theater with classic cheesy films on the big screen, drinking free or cheap booze was elating. Finally the perfect and often neglected intersect of film and music lovers was honored, and in great form.
Seeing films first, and being able to brag about and promote them to our friends is fun. I recommend so highly:
Kung Fu Hustle (kick ass fun, Kill Bill doesn't hold a candle to the high hilarity and great cinematic and musical references. . . Just GO!)
Clean (a French film featuring phenomenal Hong Kong film actress Maggie Cheung, who kicks heroin habit after Australian husband performed by former Birthday Party band member o'd's and tries to recover kid and rock music career)
Fearless Freaks docu on Flaming Lips (fantastic!). Also great scene of Steve shooting heroin and filming of a "psychotic santa" for their feature film, "Christmas on Mars." and numerous other great stuff, I loved this film and its coming back in May.
A Girl From Monday, a new film from director, Hal Hartley, who I hear you either "love or hate." I'd be in the former category. This one is about consumerism ruling the world, and the commodification of everything including sex (which ups your consumer rating). But a newcomer from another planet is innocent to this system. It was really funny and apt, particularly in our Clear Channel and mass-consumer motivated society.
Monday, April 18, 2005
benefit for our French violinist friend
I got the sad news today that a sweet friend, Raphael Fraisse, of Parisota Hot Club, is battling leukemia. He is a very warm, beautiful guy from Paris who's made his home here in Minneapolis and into the hearts of the music community. He's an extraordinary violinist who plays fluent Stefan Grapelli with apparent ease and joy. If you wish to send him a donation to help him battle medical expenses, make out check to Raphael Fraisse and send to:
Attn: Mary Olson
Central Bank
6640 Shady Oak Road
Eden Prairie, MN 55344
Thanks.
Attn: Mary Olson
Central Bank
6640 Shady Oak Road
Eden Prairie, MN 55344
Thanks.
Saturday, April 16, 2005
Where's Cyn tonight and later this week?
Well, there are several options as usual, but what I'm planning on is the Lifestyle of Wigs show at the Dinkytown at 8:15. It ends right at 9 pm so get there early!
Later, I'll attempt to be two places at once: the closing gala party for the film festival after "Murderball" shows at the Uptown. Music at the Suburban World is Kopacz at 9:30, Valet at 10:30, and Thunder in the Valley at 11:30. The other place I'll be is at Lee's sometime after 9:30 to see the Belfast Cowboys, always fun, great music, and dancing.
As I hear there was a sighting of me at the Shins show and elsewhere though I wasn't at either place, it sounds like I'm getting the projection/cloning thing working, now I just have to work on the capability to receive the impressions and experience of these shows. It will be somewhat easier next Friday, Apr. 22, as the two shows I will see are next to each other:
Iron and Wine at First Ave, 6 pm
Mammy Nuns and the Magnolias, 7th St. Entry (not sure of time, maybe 8ish)
Before that, on Thursday, Apr. 21, I'm going to another show that I highly recommend:
The Get Up Johns, with the Handsome Family at the Cedar! This is very exciting that the Get Up Johns are warming up for the Handsome Family. Catch the GUJ while you can, they're excellent with old style harmonies, and instrumentation.
Tomorrow on my radio show on KFAI from 3 - 4 pm I'll play Iron and Wine, Handsome Family, Ol' Yeller, Neko Case, Charlie Parr all who you may see soon! We're so lucky to be in such a great music town.
Later, I'll attempt to be two places at once: the closing gala party for the film festival after "Murderball" shows at the Uptown. Music at the Suburban World is Kopacz at 9:30, Valet at 10:30, and Thunder in the Valley at 11:30. The other place I'll be is at Lee's sometime after 9:30 to see the Belfast Cowboys, always fun, great music, and dancing.
As I hear there was a sighting of me at the Shins show and elsewhere though I wasn't at either place, it sounds like I'm getting the projection/cloning thing working, now I just have to work on the capability to receive the impressions and experience of these shows. It will be somewhat easier next Friday, Apr. 22, as the two shows I will see are next to each other:
Iron and Wine at First Ave, 6 pm
Mammy Nuns and the Magnolias, 7th St. Entry (not sure of time, maybe 8ish)
Before that, on Thursday, Apr. 21, I'm going to another show that I highly recommend:
The Get Up Johns, with the Handsome Family at the Cedar! This is very exciting that the Get Up Johns are warming up for the Handsome Family. Catch the GUJ while you can, they're excellent with old style harmonies, and instrumentation.
Tomorrow on my radio show on KFAI from 3 - 4 pm I'll play Iron and Wine, Handsome Family, Ol' Yeller, Neko Case, Charlie Parr all who you may see soon! We're so lucky to be in such a great music town.
Fearless Freaks tonight 7:15 Bell
The Flaming Lips documentary, "Fearless Freaks" by the directors of "Okie Noodling," is really great -- funny, weird, sad. I highly recommend it. It shows tonight at 7:15. Last night one of the directors introduced the film, and afterwards director Brad was present for Q and A via cell phone from a simultaneous showing in Austin, TX.
Fearless Freaks features 20 years of footage from high school years, to early punk days when Wayne Coyne said, "we were like hillbillies gone punk doing the Who," and they had loud shows with motorcycles and fires, to the days when they did "parking lot experiments" and boombox events where people would play their stereos simultaneously each equiped with tapes of different sounds. They show interviews in their hometown with their families, and dressed up for Halloween "frightening children," shooting up, and shooting their first feature length film, "Christmas on Mars." There's lots of great footage of their extravanza interactive art rock performances. A lot of the film is bizarre and hysterical as you might imagine.
Toward the end, the extremely hard-working Wayne Coyne talked about the death of his father, and how it changed his life, expressing a philosophy that ensues that I identify with . . . that it makes you live and enjoy life more fully every moment, and do say everything as you think of them to everyone right away instead of waiting till a later hour, or tomorrow or next week, realizing that there may be no tomorrow.
This amazing film will also be showing in local theaters in May, with a huge party, if you miss it tonight. Several local filmmakers and companies were involved in this production.
Fearless Freaks features 20 years of footage from high school years, to early punk days when Wayne Coyne said, "we were like hillbillies gone punk doing the Who," and they had loud shows with motorcycles and fires, to the days when they did "parking lot experiments" and boombox events where people would play their stereos simultaneously each equiped with tapes of different sounds. They show interviews in their hometown with their families, and dressed up for Halloween "frightening children," shooting up, and shooting their first feature length film, "Christmas on Mars." There's lots of great footage of their extravanza interactive art rock performances. A lot of the film is bizarre and hysterical as you might imagine.
Toward the end, the extremely hard-working Wayne Coyne talked about the death of his father, and how it changed his life, expressing a philosophy that ensues that I identify with . . . that it makes you live and enjoy life more fully every moment, and do say everything as you think of them to everyone right away instead of waiting till a later hour, or tomorrow or next week, realizing that there may be no tomorrow.
This amazing film will also be showing in local theaters in May, with a huge party, if you miss it tonight. Several local filmmakers and companies were involved in this production.
Friday, April 15, 2005
this Sunday, my KFAI radio show "Muddy River"with guest Baby Grant Johnson
Pull on your boots, git in your pickup with your dog and drive out to Muddy River, a KFAI Wave Project radio show I'm hosting this Sunday, from 3 - 4 pm, titled, *"Muddy River." I and my guest host, Baby Grant Johnson, will play some old-time, old country, and alt-country/Americana music, both local and national, such as the Skillet Lickers, Libba Cotten, Ol' Yeller, Foghorn String Band, the Dickel Bros., Iron and Wine, Sarah Lee Guthrie, and many more.
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